Repertoire
- Third Symphony, Fourth Movement
- Giannini
- On The Town
- Leonard Bernstein
- Appalachian Spring
- Aaron Copland
- Dream Sequence (from The Red Pony)
- Aaron Copland
In 1983, SCV and DCI underwent transitions and growing pains.
Most members of the 1983 corps fondly recall the immense talent of fellow corps members, their tenacity, and the combination of opportunity along with the reactionary pushback to overdue but necessary changes.
The show concept was typical for the time — a creative mash-up of styles with no overarching theme, but it was impressive, truly outstanding, and incredibly fun to perform.
The most significant visual and cultural change came with the presentation of our color guard uniform, emphasizing dance and performance. The new, more elegant uniform, makeup, and the shift from the old guard’s stern face to a “badass power guard”, tempered with a cheery smile, lots of makeup, and jazz runs, were a bit confusing, welcomed, and resented.
In embracing change and shattering barriers, women auditioned primarily for the front ensemble of the drum line. Not surprisingly, they showcased exceptional talent and secured their spots, marking a triumphant moment as women joined the pit for the first time. The addition of women to the drum line created a new dynamic that was not only welcomed but also presented challenges, contributing to a journey of change and inclusion.
The corps as a whole flexed in and out of cohesion. Our best performance by far was at semi-finals in Miami, but we couldn’t recreate the magic at finals, and BD and Garfield were on their game.
The Retreat at Finals unfolded with well-meaning intentions. Unfortunately, decisions that were made led to unintended and unforeseen consequences, causing distress not only for our organization but also for The Garfield Cadets, including instructors, members, alumni, and the DCI audience.
After scores were announced, and The Garfield Cadets were crowned World Champions, it was time for us to exit the field. Before doing so, the drum line and horn line turned towards the Blue Devils on our left and played “If I Were a Rich Man” to extend congratulations on their high percussion win that night. Unfortunately, this turning of the horn and drum lines gave the DCI audience and Garfield the impression of a deliberate snub and disrespect, as our backs were towards the newly crowned champion who were on our right. Due to the intense audience reaction, we were quickly shuffled off the field by staff/management, never getting the opportunity to play “Clowns” for Garfield in congratulations on winning their first of many DCI World Championship titles.
Always displaying unwavering class, Gail Royer, director at that time, extended a personal letter of apology to all members, staff, and management of the Garfield Cadets on behalf of the entire SCV family and organization. Despite the impact on SCV’s reputation and the challenge to our integrity, the experience ultimately contributed to the organization’s growth, highlighting resilience and strength in the face of adversity.